Birth of a Painting Series X: “Mountains, Clouds, and Streams”.

Birth of a Painting Series X, “Mountains, Clouds, and Streams”.
“The world is a world of becoming. To see being in becoming, and becoming in being, that is enlightenment”.      D.T. Suzuki,

Nature Series: Themes of Taoism by Denise Hartley. Sculptural paintings on wood.

“My paintings are influenced from real physical spaces that exist in nature. The painting is intrinsic to the wood panels that I use. A tree was cut down to create this panel; the life of the tree encourages the finished piece. My paintings begin more as sculptural projects. I assemble, sand, stain, and texture, with an eye to the wood grains. I apply the paint by rubbing the surface. The surface inspires the art.”                                                                  D.A. Hartley

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“Mountains, Clouds, and Streams”, mixed media on wood, triptych, 4′ x 6′, 2005. Courtesy of the artist.

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“Tao”, cast bronze, 10.5″ x 22″, 2002. Collection of the artist.

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Birth of a Painting Series VIII: “Water”, an Installation.

 

Water! A combination of large-scale videos within an installation format that includes an inner meditation room, surrounded by paintings and the gentle sounds of water, designed to include the viewer in the artwork. The paintings are sculptural, created on large wood panels, with deep texture, oil paints, and gold leaf. The videos are of natural events; “Lost Canyon Falls”, includes water and fire in a meditative film; “Lake Kaweah”, transforms two years of photos into a video time-piece, recording the beauty of each passing day; “Douglas Creek”, in the meditation room, includes streams, meadows, and the sounds of water.

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“Koi”, oil on wood, gold leaf, diptych, 70″ x 68″, 2008.

Paintings: “Cypress and Basalt”, mixed media on wood, 4′ x 6′, 2006. Private collection.

“Aspens”, mixed media, gold leaf on wood, diptych, 6′ x 8′, 2006. Private collection.

“Mountains, Clouds, and Streams”, mixed media on wood, triptych, 4′ x 6′, 2008. For sale.

“Silent Passage”, oil on gessoed wood, 4′ x 6′, 2004. Private collection.

Copyright 2018 Denise Hartley.

Thank you for reading my Friend Nature Blog!

http://www.dahartley.com

Birth of a Painting Series VII, “Douglas Creek”.

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“Douglas Creek”, acrylic on canvas, 3′ x 4′, 2010

 

Douglas Creek is one of many small creeks that come directly from the high-country snowmelt and natural springs. It is our drinking water for our cabin in Stanislaus National Forest, located at 6,700 ft. where the water is delivered by gravity flow. After passing by our cabin it enters the South Fork of the Stanislaus River, which begins at (9,635 ft. (2,937 m) Leavitt Peak, in Tuolumne County and eventually enters the San Joaquin River, and drains into the San Francisco Bay.

This little mountain stream and river have sustained life well beyond our time. There are parts of wagons used by the settlers trying to cross the Sierra Nevada Mountains. There are obsidian points from the Miwok Native American tribe and grinding stones. The tiny stream banks are lined with willow, horsetail herb, mints, orchids, and many other wildflowers.

As a child I wandered where ever I wished, with the caveat that, if lost, head downhill. I have slept outdoors with bear and mountain lions as possible visitors. Deer have taken a nap beside me. Chipmunks and Golden Mantle squirrels have sat in my hands. I trust the four- legged critters but keep a wary eye on the two legged.

Climate Change is changing our landscape quickly. We had to saw down six large beautiful Ponderosa trees this year alone. They are dying at a rapid rate, from bark beetles (love the heat), and a fungus, which spreads from fir tree roots. This was all predicted by a U.C. Berkeley scientist that wrote about how pollution affects the photosynthesis process, especially in the Ponderosa Pines. I watched a fire burn this summer across the river, tree torches burning brightly in the night.

Thank you for reading,

Denise Hartley

 

 

Birth of a Painting Series V: “Golden Falls, Lost Canyon”.

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“Golden Falls”, artist Denise Hartley

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As an artist and healer, I address the healing of our planet. I try to approach Climate Change, and our damaged environment, more as a spiritual issue. First, we must heal ourselves, and by doing so we will become aware of the reality of the global stress that humanity has caused.

My paintings are often bought by healing organizations and individuals. “Golden Falls”, was a corporate purchase by Kaweah Delta Medical Center, Visalia, California. They have bought several of my paintings.

“Golden Falls”, mixed media, gold leaf, on wood panel, 4′ x 6′, 2005.

 

 

Please promote self-healing by visiting beautiful sites in nature. Being in nature is a blessing, each flower will delight and encourage you, and the sounds of the forest and stream will lead you back to your true self.

Blessings to you,

Denise Hartley

Website: D.A. Hartley: http://www.dahartley.com

Birth of a Painting Series III: “Blocked”.

BIRTH OF A PAINTING SERIES III: “BLOCKED, an Art Exhibition”. Fresno, CA, 2000.

As an artist, I paint when I am inspired. Everything flows; feeling great, working in the studio for hours, paint flows from my brush. The question is how to be an artist when the inspiration has disappeared, when you feel blocked from your inner self?

The painting “She Broke”, was the beginning of the “Blocked” series. The dominant orange, the contrasting blue highlights, black drips, blobs, and pools, and yes, the first block began in this painting, on the upper mid-right of the canvas. The broken figurine is real, and she is still broken, kept as a reminder of the past.

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I began this series of paintings while I was blocked! My creative solution was to paint the limitation that I was feeling. I began just to paint actual BLOCKS, placed in restrictive grids, which eventually swirled into patterns.

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The next painting is the “Eye of God”. Using the contrasting shades of blue and orange creates a boldness I had not expected.  The ‘eye’ is not blocked,  and is not placed within the grid. The ‘eye’ expands to me the feeling of what is possible, or what is enduring within myself.

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The painting “Self-Restraint”, painted in blues and greens which follows the cool color pallet, using analogous colors.  The lovely landscape is blocked by a large grid, and it is broken into drip-like smaller grids within the panes of a window. To me that exemplifies that there is beauty in the world, yet at the time I could not quite access it.

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My favorite of the series is “Creation”, warm colors are dominant, with a touch of cool blues and greens.But everything in the painting is off kilter, the edges are leaning at odd angles. The blocks and the grids remain in the painting.

The artist is still blocked, but ‘she’ is stacking the blocks in a manner that creates tension in the artwork. I am encouraged by the reddish blast occurring in the top left, breaking the grid, and the swirl in the middle, and the circular objects lying upon the grid!

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“Venus”, D.A. Hartley

This is the first painting created of the BLOCKED art exhibition. “Venus”, oil on canvas, 30″ x 48″, 1997. Venus figurines found in caves, the earliest created 35,000 years ago. https://en.wikipedia.org/wiki/Venus_figurines

 

 

Many thanks for your interest,

Denise Hartley

Please respect the artists copyright. 

Exhibition: Paintings by Denise Hartley:

“Creation”, oil on canvas, 3’x4′, 2000;

 “Eye of God”, oil on canvas, 3’x4′, 1998;

  “Self-Restraint”, oil on canvas, 3’x4′, 1999;

 “She Broke”, oil on canvas, 30″x 48″, 1998.

“Venus”, oil on canvas, 30″x 48″, 1997.

http://www.dahartley.com

http://www.denisehartley.org 

Instagram: dahartley222

 

 

 

Birth of a Painting Series: “Blossom Peak”.

Article by Denise Hartley

In the Birth of a Painting Series, I try to give examples where the artist finds inspiration in creating an artwork, and how the creative process develops within the artist.

Painting, Blossom Peak, by artist Denise Hartley

I begin this series with my painting “Blossom Peak”. It is a 4’ x 6’, mixed media painting on a wood panel, created in 2004. It is in a private collection.

The inspiration for the painting “Blossom Peak” began on a hike I took with my son. We climbed an iconic peak in Three Rivers, California. Three Rivers is near the entrance to Sequoia National Park, on the banks of the whitewater Kaweah River. The park is the home of Mount Whitney, in the Sierra Nevada mountain range. It is famous for its giant sequoia groves, jagged peaks, and glacier polished valleys, rushing rivers, and wildlife. As a resident of Three Rivers, hiking is an important experience, as well as white water rafting and swimming, and it is the backpackers dream location.

My young son I enthusiastically began our hike at the base of Blossom Peak, and headed straight up hill, we rose above California’s Central Valley, hidden by fog. After reaching the top, we could see the snow covered peaks of the Sierra Nevada, signed the book, made our cell calls, and then my son looked over the steep edge, and slipped. He somehow caught himself at the last moment at the precipice, a 35’ drop to the rocks below.

In the spirit of jubilant thankfulness, we began our descent. The inspiration of this painting was based upon the high emotions that I felt that day, and on our return, I began this painting, “Blossom Peak”.

 

Video: Birth of a Painting Series: “Blossom Peak”.

 

World Bank: What Climate Change Means for Africa, Asia and the Coastal Poor

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STORY HIGHLIGHTS
  • A new climate report looks at likely impacts of present day, 2°C, and 4°C warming across Sub-Saharan Africa, South Asia and South East Asia.
  • It describes the risks to agriculture and livelihood security in Sub-Saharan Africa; the rise in sea-level, loss of coral reefs and devastation to coastal areas likely in South East Asia; and the fluctuating water resources in South Asia.
  • Turn Down the Heat warns that poor communities will be the most vulnerable to climate change.

As the coastal cities of Africa and Asia expand, many of their poorest residents are being pushed to the edges of livable land and into the most dangerous zones for climate change. Their informal settlements cling to riverbanks and cluster in low-lying areas with poor drainage, few public services, and no protection from storm surges, sea-level rise, and flooding.

These communities – the poor in coastal cities and on low-lying islands – are among the world’s most vulnerable to climate change and the least able to marshal the resources to adapt, a new report finds. They face a world where climate change will increasingly threaten the food supplies of Sub-Saharan Africa and the farm fields and water resources of South Asia and South East Asia within the next three decades, while extreme weather puts their homes and lives at risk.

A new scientific report commissioned by the World Bank and released on June 19 explores the risks to lives and livelihoods in these three highly vulnerable regions. Turn Down the Heat: Climate Extremes, Regional Impacts, and the Case for Resilience (Read it in IssuuScribdOpen Knowledge Repository) takes the climate discussion to the next level, building on a 2012 World Bank report that concluded from a global perspective that without a clear mitigation strategy and effort, the world is headed for average temperatures 4 degrees Celsius warmer than pre-industrial times by the end of this century.

Small number, big problem

Communities around the world are already feeling the impacts of climate change today, with the planet only 0.8 ºC warmer than in pre-industrial times. Many of us could experience the harsher impacts of a 2ºC warmer world within our lifetimes – 20 to 30 years from now – and  4ºC is likely by the end of the century without global action.

The report lays out what these temperature increases will look like, degree-by-degree, in each targeted region and the damage anticipated for agricultural production, coastal cities, and water resources.

“The scientists tell us that if the world warms by 2°C – warming which may be reached in 20 to 30 years – that will cause widespread food shortages, unprecedented heat-waves, and more intense cyclones,” said World Bank Group President Jim Yong Kim. “In the near-term, climate change, which is already unfolding, could batter the slums even more and greatly harm the lives and the hopes of individuals and families who have had little hand in raising the Earth’s temperature.”

The report, based on scientific analysis by the Potsdam Institute for Climate Impact Research and Climate Analytics, uses advanced computer simulations to paint the clearest picture of each region’s vulnerabilities. It describes the risks to agriculture and livelihood security in Sub-Saharan Africa; the rise in sea-level, loss of coral reefs and devastation to coastal areas likely in South East Asia; and the fluctuating water resources in South Asia that can lead to flooding in some areas and water scarcity in others, as well as affecting power supply.

“The second phase of this report truly reiterates our need to bring global attention to the tasks necessary to hold warming to 2ºC,” said Rachel Kyte, the Bank’s vice president for sustainable development. “Our ideas at the World Bank have already been put into practice as we move forward to assist those whose lives are particularly affected by extreme weather events.”

Open Quotes

The scientists tell us that if the world warms by 2°C – warming which may be reached in 20 to 30 years – that will cause widespread food shortages, unprecedented heat-waves, and more intense cyclones. Close Quotes

Jim Yong Kim
President, World Bank Group